Exhibition Ring

1. CREATE PARIS 1-1 Curator eg Sao Paulo Curator receives An art professional decides to create an exhibit He/ She becomes "the a Tokyo exhibition Curator of that project" (1) 1-2 Participating Artists The curator of the project chooses one or multiple PARIS 4. RE-MATERIALIZE artists to work with. A curator receives another cities exhibit and brings it back to life at any given moment. 3. SHARE 1-3 Creation The exhibition is conceived and created The Curator uploads the encapsulated exhibition into the ring. There it's available for curators around the world 2. DE-MATERIALIZE NEW YORK Local interpretation is inevitable It should be embraced and even played with it (Please read Mel Bochner interview byHans Ulrich see reference number t1) at the bottom of this page) 2.1 Everything is in a digital file Curator and artists compile the exhibition into digital files. The curator is in charge of the curatorial A text. historical background. checklist of required equipment and supporting 5. INTERACT "NewYork Curator (SYNCED OPENINGS) and artists curate.co documentation NewYork Exhibits can be synced and streamed live. Viewers NEW YORK Encapsuled exhibition from both places can interact and exchange points of view. The artists is responsable for working files. and clear instructions on mourting pane.ee the piece videoart It's now considered a time capsule An exhibit that can be opened tomorrow or in 30o0 years. stund e 2.2 We encapsulate everything. On a digital format SAO PAULO OPENING TOKYO OPENING The digital window can be created either with high-tech solutions or a simple $10 webcam connected to a laptop computer. DOTA TE SAO PAULO TOKYO SAO PAULO TOKYO TOKYO