Design Timeline

1981-1988 Memphis. 1970-1990 Post Modernism 1930-1960 Streamlining. 1930-19 International Style. 1919-1933 Bauhaus. 1908-1935 Art Deco. 1890-1960 Modernism. Art No 1860- ES & Craf THE HISTORY .OF DESIGN Arts International style 1930s. Aesthetics of Architectural and design manifestos Milan, 1981, the Memphis project launched Architectural and Weimar, SOZGL'e ue American designers pamaA machines as a key metaphor/ British architectural *616L des Arts sue movement, (1890s) Djweukposae apeu uuapou pesnoj uewaAo with the addition of surface effects after peueuo so of 1980s. Sought to relate to the sphere ubisap pur Jesa movement against the bad effects of industrialisation ubysap jepuenyuj) school) took a radical approach to uwapow Joj esnu (Exhibition, France) Art Deco promoted an elitist luxury, design, a belef that jo Moys e yam of consumption, Pop-inspired on simple, utilitar- lan, undecorated designs, materials, functionalism (less is more) flat roofs, Djuebio 6ujmo forms. Inspired by what it saw around and technol- e ubsap interior rather than that of Pino Abo in collaboration Bujsn aykas paja "uogenpe ubjsep workings of objects been The production. Postmodernism refers to a loss of prototypes. pue Jounsuoo ay uo aunajnɔ it, in particular the natural world, transform society. straight sdnoui revitalise design as with fine artists. Characteristic, ideological facets, steel frames with decorative arts. many cultures and 'uean geometric white. off grey, and black, peu saugunox into the popular arena in the 1930s through production determined cars, trains, planes. In static objects, the style representing the first break witi with the forms, penou a cultural concept rather than one led -white, square faith in modernity, surfaces, sseib white walls. Peaked vernacular, natural motifs. Decorative patterned carving past. The craftsmen raised the status of applied arts to that of fine arts. Charies Rennie Mackintosh, u jejjeg peesu by industry and apeys pue y6 uapow jo asn uosea ssauboud 10 JaMod aun pue snopsuo uewny SeM ssejb pue aapuo) yM auegje pue architecture, use of UMo s0961 ay up "pedeysa "pjog uawwo sanojos u sbuyu pauajsue denote aybug unconventional centres Aunana ness. materials. intricate mau Mau asnpu Walter Kobert Angular shapes. Jacques-Emile Ruhimann, Dunand, Gray, Rene Lalique, pue offices refitted and material patterns. Ruskin, Morris, chromium-plated steel, glass. Louis H puoukoy Michael Ettore peefgns sanpoud Teague, Norman Bel Bukysau jeɔipes og unpuan Graves, Alessandro materials. Henry van de Veide, umog Sottsass, Metteo Thun, Allessandro uyor Gropius, Hannes upar Geddes, Aap uDA SRIW GImpny aysnguo) a ayoy Dreyfuss, Mendini, Ettore saw bmpn akaw ayoy Aap UDA Dieter Rams jasor Christopher Dresser, C.F.A. Voysey, Lloyd Wright, Henry van de Velde, Peter Kau ouo pnog puoju opiy Hector supH Hollein, Aldo Rossi. Cibic. Charles Ashbee. Guimard. apuosso) wY yanag jauow suayag